Out of the Woods review by Dan Barrett: Difference between revisions

Jump to navigation Jump to search

Out of the Woods review by Dan Barrett (view source)

Revision as of 13:25, 16 August 2008

4 bytes added ,  16 August 2008
no edit summary
(New page: First, the short review. Every Gentle Giant fan should buy this album. Now, the longer review. :-) Culled from the vaults of the BBC, Out of the Woods ('''OOTW''') is both a historica...)
 
No edit summary
Line 1: Line 1:
First, the short review. Every Gentle Giant fan should buy this album. Now, the longer review. :-)
First, the short review. Every Gentle Giant fan should buy this album. Now, the longer review. :-)


Culled from the vaults of the BBC, [[Out of the Woods]] ('''OOTW''') is both a historical document and a damn good album. Not only does it contain a previously unreleased track, [[City Hermit]], but also for the first time, we have legitimate live recordings of [[Isn't It Quiet And Cold?]], [[Aspirations]], [[Way Of Life]], and [[Cogs In Cogs]]. The performances of all pieces range from very good to excellent. The sound quality is quite intimate, like listening to a private Gentle Giant concert in your own parlor or living room. The clarity is excellent. This is no scratchy, screechy bootleg.
Culled from the vaults of the BBC, [[Out of the Woods]] ('''OOTW''') is both a historical document and a damn good album. Not only does it contain a previously unreleased track, [[City Hermit]], but also for the first time, we have legitimate live recordings of [[Isn't It Quiet And Cold?]], [[Aspirations]], [[Way Of Life]], and [[Cogs in Cogs]]. The performances of all pieces range from very good to excellent. The sound quality is quite intimate, like listening to a private Gentle Giant concert in your own parlor or living room. The clarity is excellent. This is no scratchy, screechy bootleg.


OOTW begins with the unreleased [[City Hermit]], written around 1970-71. It's a rocker that would have fit comfortably on their first album but lacks the sophistication that emerged in their second. Gentle Giant's blues roots are evident here, and though the lyrics are a bit silly, the piece works. I can't say it's one of my favorites, but fans will undoubtedly enjoy hearing this long-lost piece.
OOTW begins with the unreleased [[City Hermit]], written around 1970-71. It's a rocker that would have fit comfortably on their first album but lacks the sophistication that emerged in their second. Gentle Giant's blues roots are evident here, and though the lyrics are a bit silly, the piece works. I can't say it's one of my favorites, but fans will undoubtedly enjoy hearing this long-lost piece.


For me, the highlights of OOTW are [[Way of Life]] and Excerpts From [[Octopus]]. The performance of [[Way of Life]] is full of energy and excitement, showcasing a band in its prime. Excerpts From [[Octopus]] begins with a keyboard-heavy version of [[Knots]], and segues into a wonderful acoustic guitar duet that's completely different from the version on [[Playing the Fool]], featuring reworked parts from [[Boys in the Band]], [[Experience]], and even [[Edge Of Twilight]]. It's outstanding. This is followed by Gentle Giant's patented recorder ensemble, complete with "Yankee Doodle." The final section, [[The Advent of Panurge]], contains some excellent but subtle twists; Kerry hits a beautifully dissonant note at the end of "Look at my friend..." that made me jump and sigh.
For me, the highlights of OOTW are [[Way of Life]] and Excerpts From [[Octopus]]. The performance of [[Way of Life]] is full of energy and excitement, showcasing a band in its prime. Excerpts From [[Octopus]] begins with a keyboard-heavy version of [[Knots]], and segues into a wonderful acoustic guitar duet that's completely different from the version on [[Playing the Fool]], featuring reworked parts from [[The Boys In The Band]], [[Experience]], and even [[Edge Of Twilight]]. It's outstanding. This is followed by Gentle Giant's patented recorder ensemble, complete with "Yankee Doodle." The final section, [[The Advent of Panurge]], contains some excellent but subtle twists; Kerry hits a beautifully dissonant note at the end of "Look at my friend..." that made me jump and sigh.


The final three tracks, [[Just the Same]], [[Free Hand (song)|Free Hand]], and [[On Reflection]], are the least interesting on the album, but only because they are scarcely distinguishable from the originals. If you've heard [[Free Hand]] and [[Playing the Fool]], there's little new here, and Derek's voice is distractingly overprocessed (electronically). One can also hear overdubbed sax parts which detract from the "live" feel. Still, it's nice to have studio versions of the arrangements that Gentle Giant used in concert.
The final three tracks, [[Just The Same]], [[Free Hand (song)|Free Hand]], and [[On Reflection]], are the least interesting on the album, but only because they are scarcely distinguishable from the originals. If you've heard [[Free Hand]] and [[Playing the Fool]], there's little new here, and Derek's voice is distractingly overprocessed (electronically). One can also hear overdubbed sax parts which detract from the "live" feel. Still, it's nice to have studio versions of the arrangements that Gentle Giant used in concert.


Overall, OOTW is a vital album that belongs in every fan's collection.
Overall, OOTW is a vital album that belongs in every fan's collection.
Retrieved from "https://gentlegiantmusic.com/GG/Special:MobileDiff/2659"

Navigation menu